49 days since.
The Semi-Daily Countdown Clock
As of September 8, 46 days since.
Working Daze, #7.5
And if it doesn’t work, this changing of the earth from gray to red…fuck it. Get rid of the earth altogether.
Hah! Now we’re getting somewhere.
Working Daze, #7
“Got her done. And I’m afraid she’s a little dull.”
John Steinbeck, “Working Days,” Entry #22, June 22, 1938
I’ve been plugging away on the book and it’s coming along. The mystery works fine. The characters work fine. The setting works fine. I’m interested to see where everything is going and how we’re going to get there. All of that is fine, no complaints.
Well…one complaint.
The book hasn’t quite caught fire yet.
“Got her done…she’s a little dull.”
Once upon a time, I had a conversation with one of today’s great writers. He said he had gotten to a point with his writing, after twenty some odd years of doing it, that it was always good, but every once in a while it was great. Every so often, he said, he hit on a detail or a description or some thing that made the work ascendant. He had no idea why it would or wouldn’t happen, or when it would or wouldn’t and I don’t, either. The creative process is that nebulous.
But that is where the second Jace Salome novel is right now. It’s competent, it’s a decent read. It doesn’t have much bad writing (this isn’t as conceited as it sounds. I’ve been writing so long in so many contexts that while I don’t always write brilliant sentences, I always recognize shitty ones), but it is – for me, a little dull.
I need that indefinable thing that will fling me into the white hot energy that can pervade an author’s work like a jetstream at 30,000 feet. I’ve had my head in that jetstream before but haven’t quite found it this time.
Then I read this:
“Make earth red, not gray.”
From Steinbeck’s ‘Working Days.’ Entry #20 from June 20, 1938.
Could it be that simple? Have I not yet made the earth red rather than gray? Steinbeck began the Joads’ quest in Oklahoma. I have relatives there and the dirt is indeed red. I believe, with absolutely no evidence for it, that Steinbeck wanted gray as a commentary on the world in general and the colorless, hopeless situation of the Joads. But when he blasts a bit of color into that book – red soil versus gray – did that give him a bit of that fire?
Originally, my time line was in and around Halloween. That didn’t work at all so I moved it out a bit and now we’re sitting in and around Christmas. The main murder happens on Christmas morning and the chase happens on New Year’s Eve.
But I don’t have the Christmas details. There are no decorations, no Christmas music being hummed by guards or inmates, no plans for an office Christmas party. Perhaps those details, small as they are – and, honestly, as inconsequential to the plot and pacing as they are – are the spark I need to set the book ablaze.
Yeah, yeah, writing is about the details. I understand that. But ask any writer and I’d bet a year’s salary that all of them will tell you there are details and there are details. As Bob Seger sang, “What to leave in, what to leave out.” Maybe I simply haven’t yet found what to leave in that will allow me to climb deep into the head of the book, not the characters, but the book.
“Make the earth red, not gray.”
Or, in this case, make the jail Christmas.
CopStories
I had a DUI last night.
The call was an accident. When I arrived, there was a Grand Prix wrapped around a tree. In fact, the passenger door was smashed into the cab nearly to the midline of the car. There was blood all over the passenger door, dotted by the shimmer of broken glass and smashed plastic.
The occupants were gone. Usually, that means one of a couple of things. Possibly the driver had no license, either suspended or revoked. The driver was on the run from a warrant. Or the driver was driving under the influence. This accident scene – which ran probably the better part of a football field length from beginning to end – felt like a DUI.
As I’m working it, I get a call that the driver and passenger are at a local hospital. I go and the passenger, with a massive head wound, is out cold with the doctors. But the driver is hysterical, on the phone with her mother, and knocking me over with beer breath from probably twenty feet away.
So I got the DUI handled and no one died and everything was fine. Yes, she decided to tussle when she realized she was going to jail (fights are so much easier when your opponent is drunk and having a hard time standing). Yes, she was as profane toward me as anyone I’ve ever dealt with. Yes, she told me that the Constitution said I couldn’t talk to her until she talked to her parents (she’s 18-years old). And yes, she told me that the Constitution said “you gotta let me use my cell phone, bitch,” (I was so tempted to find the Constitution on-line and have her find the phrase ‘cell phone, bitch’)
The point is not that she was drunk, not that she was an idiot who, at 18, had already had a couple of DUIs and who, at 18, immediately mentioned lawyers when I asked her name.
The point is I was excited. When I got called for the accident, I got excited. When I realized it was probably a DUI, I got excited. When she decided she wanted to throw down with me, I got excited.
It occurred to me, as I’m wrenching her arms behind her back and trying to haul her outta the hospital beforeI lost control of the situation entirely, that I am in a fairly perverse profession.
When I have a good day, then by definition someone else is having a shitty day. I loved the high speed chase I was involved in last year. It ended only when the guy who raped his girlfriend and stole her car crashed headfirst into my car. I love going into domestic situations. I love walking into an underage drinking party with 50 or 60 kids all staring at me like I’m…well…the cops. I love it when I’m called to a burglary or a theft and I have to figure out not only whodunit, but wha’happened.
I love all that stuff and that bothers me a little. I should hate all those things. Those are terrible things that happen to real people, not stick figures on COPS or cardboard cutouts on CSI. This is real blood and real teeth on the floor and real contact visits between inmates and their families mere hours before said inmate goes to prison for ten or twenty years.
So isn’t it a little perverse that I love those situations so much? I like to think I have sympathy and empathy and all the rest and that’s what makes me a good officer (and no, I’m not one of those guys who arrests everyone for everything..arrests aren’t the definition of a good copper, I believe), but I also understand that I dig the chaos and madness and that concerns me a little.
Not a lot, not to the point of paralysis, just a little…in the back of my head.
And I’m sure it’ll be in the back of my head tonight when I get called to an accident or a domestic battery or a knifing.
And I’m sure I’ll be breathing fast and heavy as I think: this rocks.
Working Daze, #6
“But I am assailed with my own ignorance and inability.”
John Steinbeck, “Working Days,” Entry #18, June 18, 1938
“Must get no fatal feelings about it.”
John Steinbeck, “Working Days,” Entry #20, June 20, 1938
I was about eight and a half chapters in when it all fell apart.
Okay, not all. The first thirty words or so of the first chapter were decent. And there were ten or fifteen good words in chapter five. Beyond that….
Honestly, it’s not that bad, but I did have some long hard sessions the last few days where I began to realize the new novel wasn’t working. Not in a mechanical, “Fix this here strut and that back brake and maybe the headlight and ever’thang’ll be good” kind of way, but in a “I’m not sure this thang’s got a engine” kind of way.
Chapter eight felt forced, is the best I can describe it. It felt hollow and forced and entirely superficial. What I came to realize, after much gnashing of teeth and pulling of hair (metaphoric hair, for those of you who know me) was that one character was shouting at me to cut his stage time.
Once I realized that, that chapter came clear. So I set about writing it, happily tapping away until I realized that to do the chapter the new way meant restaging the players quite a bit upstream. That realization forced me to rethink the time line in its entirety.
I had been fixated on this book happening about two months after the first book in the series. Fixated on that because I had a great scene in mind that would happen during a Halloween party in some forgotten tunnels near the jail. Lots of funky lighting – lurid and angled and shadowed and all the things I loved to do when I was doing theatrical lighting – and people in costumes and a hardcore chase of a murder suspect right through the middle.
I got that in my head and couldn’t get it out, which meant I was writing to that scene rather than to the overall story arc. Once I found the balls to toss that scene, then I understood what was wrong with the entire book.
So I restaged it, restructured it, and that was a good thing. Once I get things rewritten upstream, I’ll be able to keep moving downstream and should finish the final two-thirds in a couple months.
And chances are I’ll find a way to use that chase scene anyway, if not in this book, then the next.
It is a lesson Ed Bryant taught me long ago and that I had simply forgotten: don’t be scared to toss it all out. Don’t be scared to toss an idea or a chapter or some bit of brilliant writing. If it’s not working, then it’s not working, regardless of how well it’s written.
So I tossed and now we’re cooking with Crisco, as my third grade music teacher used to say. We’ll see if there’s enough Crisco to get through the entire book.
Actually, given my heart history, perhaps I should shy away from Crisco and use extra virgin olive oil or some shit.
CopStories
“What the fuck,” the old man said. “What you stopping me for? I ain’t done nothing.”
I’d pulled him over, late at night, as he drove away from a bar in one of our small towns on the west side. He’d been drifting a little bit in the lane. Probably nothing, but I like to check. Because sometimes drifting is a sign of drunk driving. Sometimes it’s a sign of texting while driving (though probably not with an 80 year old man) and sometimes it’s just a sign of shitty driving.
“What I done? I ain’t done nothing, you son of a bitch.”
I wanted to say, “Sir, you’ve violated the common decency of grammar,” but I thought that would be less than professional so instead, I said, “Well, you were drifting a little in the lanes and I wanted to make sure you were okay.”
See, usually when I say that, especially to older drivers, they get all gushy and happy that someone is checking on them. They know they’re older, they know they might be having a medical problem. So they are quite appreciative when someone’s taking the time to make sure they’re not…you know…dead.
“I’m fine, goddamnit. I wasn’t drifting and you know it, fucker.”
“Sir, we can go back to my squad and watch the video, if you’d like.”
“Damn straight.” But he made no move to get out of his truck. “What’s your name?”
“Deputy Barker.”
“I’m gonna talk to the sheriff about you.”
“I’ll get you his phone number before we’re done.”
“Goddamnit. I ain’t done nothing wrong and you know it, fucker.”
“Sir, can I see your license and insurance, please?”
“I ain’t got it,” he yelled, his old man spittle flying all over my face (and making me wonder if he’s got AIDS or Hep C from all the old ladies he’s schtupping with his Viagara prescription). Rummage, rummage, rummage and out pops his insurance card.
“Sir, this is expired.”
He snatched it back from me. “I know that, asshole.”
“Well, do you have valid insurance?”
“Do you know who I am?” Still he yelled and his eyes bugged out and his waddle bounced around and caught the red and blue light my squad car tossed.
“Well, no,” I said. “Because you don’t have your license. Now, do you not have it because it’s at home, or do you not have it because it’s suspended?”
“Goddamnit, I’m getting outta here.”
But he made no move to drive away. I think even he knew that would ratchet up his night in a really bad way.
“Fucker,” he added.
At that moment, my professionalism slipped…for just a second. “Wow, you’re quite the little asshole, aren’t you?”
But rather than yell back at me, he stared, like he’d just been slapped. “What?”
“You’re mean.”
“I am not.”
“Well, you’re being mean to me.”
“I am not…fucker.”
“Sir, have you been drinking tonight?”
At this point, I knew he wasn’t drunk, though I was fairly certain he’d had one or two. I asked because it’s part of my standard patter and because – in this one case – I thought it would be fun to poke him with a stick.
“Drinking? Goddamnit. Why are you – ”
“Sir, have you been drinking?”
“Well…yeah…I have. I had a couple of beers.”
“Okay, well that’s not too bad. I don’t think you’re drunk, I just thought you might be having a medical problem.”
Then he laughed. I know, I know, surprised me damn near into a second heart attack. Laughed and while it was a weak, mean old man’s laugh, it seemed pretty genuine. “I farm 700 goddamn acres and that ain’t killed me. I don’t think no beer’s gonna pro’ly gonna kill me, either.”
No, I wanted to say. What’s going to kill you is when your wife and kids get together late one night while you’re sleeping and run a sword straight through your black little heart…that’s what’s going to kill you.
So I an a check on him and got one of our business cards, upon which I put my name and the Sheriff’s phone number.
“All right, sir, I think we’re done.” I gave him the business card. “Call the Sheriff and set up an appointment. I’ll come in and the three of us can watch the video of this entire encounter.”
He laughed again and tore the card up – carefully depositing it in his truck rather than on the highway – and said, “Naw, I don’t need that. Thanks for watching out for me…fucker.”
Then he stuck his hand out and I shook it and he drove off and I stood on the side of the road, like a retard, confused as to what had just happened, and thinking, Man, you just can’t make this crap up.
I then immediately wrote it all down ’cause you know it’s gonna be in a book someday. Guy’ll probably want royalties, too…fucker.
Working Daze, #5
"Not an early start today but it doesn’t matter at all because the unity feeling is back. That is the fine thing. That makes it easy and fun to work."
John Steinbeck, ‘Working Days,’ Entry #14, June 14, 1938
Well, not necessarily easy to work, but certainly fun again.
Chapter six is done and chapter seven is begun and after lots of preliminary stuff, the book is off and running. Or, if not running, limping along like a Special Olympics athlete with a knee brace and crutches.
Chapter six was the novel’s engine, that souped up HEMI that gives us the forward motion. In this case, it was a murder and seeing that dead body will now lead us the machinery of an investigation and a carnival of suspects. (hehehehe, right now, there are – literally – 300+ suspects)
But then, as so often happens and which I love so much, the ecstasy of discovery also came along with chapter six. I had forced Jace into a situation where she was getting pummeled verbally and emotionally by one of her own detectives (because of things that happened in the the first book) and as she stood up for herself, as she decided this was the moment when she’d taken enough bullshit, I discovered just how badly things had gone for her during the eight weeks between the end of the first book and the beginning of the second.
I love those discoveries. This one was small in actuality but huge emotionally. Just a bit of paper, really, that I realized was defining Jace for this entire book. The outcome of the definition was there already, but I hadn’t understood exactly where it had come from.
I know, it sounds smooshy and ostentatious and overly-writerly, but that’s pretty much how it is. And let me tell you, those kinds of discoveries, where the writer’s subconscious is allowed to stretch out and get some good steam up, do not happen with outlines.
As a writer, I never had much use for outlines and plans and all the rest. Christie Golden, a fantasy writer friend of mine, and I once had a conversation about outlines. She writes Big Fat Fantasy with thousands of characters and all kinds of spells and brews and potions and all the things that readers of BFF love and demand. To keep it all straight, she works from outlines.
But her outlines run 100 pages.
To me, just write the damned thing. If the outline is that long, that involved, it’s really nothing more than a short version of the book. Outlines worked for her and she didn’t really give a shit that I thought them a waste of time.
Well, I still don’t use full book outlines but I do find myself outlining chapters. I have a few paragraphs, a few sentences. Just enough to get in the important points that I have to get in. Anything extra I discover I consider the literary equivalent of found money. I see it, get excited and gleeful, and move on.
So while I don’t yet have a complete picture of what is what in this book, I do now have strands and threads slipping out and away from me like all the roads out of Rome. But it is in that very mess and entanglement that I find my control over the book building. It is in the chaos building on the page that I find some of the unity about which Steinbeck wrote.
I really do think this is going to be fun now. Not that the set up hasn’t been fun, but hell, now we’ve got blood and vendettas.
I don’t care who you are, blood and vendettas ain’t nothing but fun.
Working Daze, #4
"Last night the itching, burning jitters and no sleep until 3:00 a.m. Hope my nerves aren’t weak because they have a long haul ahead."
John Steinbeck, ‘Working Days,’ Entry #17, June 17, 1938, Friday
Well, my nerves aren’t shot at all, but are frazzled a bit. Got some news last week that there might – MIGHT – be an offer looming in the next week or so. Yeah, thanks Agent Bob, for letting me know that ’cause I haven’t slept at all since getting the email. Damn him with his faint note of hope and possibility coupled with a giant "HAFTA WAIT AND SEE."
Aaaauuuuuuggggghhhhh.
So I’m not sleeping and instead spend my time juggling all my little cockroach plans and schemes into some semblence of order just in case there is an offer. I’ll do this and do that and go here and go there and blah blah blah. None of it means anything until there is – or isn’t – an offer.
But it’s fun to think about.
CopStories
(with background music by the Louvin Brothers…appropriately enough because today’s is about tractors)
The First Time
She said the tractor was driving along the road. Not just anyroad, but a road nearly 30 miles from the Sheriff’s Office. She said the driver was weaving all over the road. She said he might be drunk. Thinking this might be a DUI with a fun little twist, but less than an hour from going off-duty, I jumped in the prowler and headed out.
Thirty miles.
I didn’t drive crazy. It wasn’t an accident. There were no shots fired or knives plunged into someone’s chest. Just a crazy farmer’s kid, driving drunk on Keystone Light or Boone’s Farm wine and taking Daddy’s tractor for a spin. But then our lady called back and said it was no longer on the road. Now the tractor was in a ditch. It was at a strange angle. It was running. The driver was no where to be seen. Maybe he was caught under the mowing deck.
Now I ran quick. Lights. Sirens in the intersections. Heart rate up a bit. Skin a bit sweaty. Got there as quickly as I could, thinking about first aid and compressions and rescue breaths and all that other first responder stuff.
Now…understand that I don’t know anything about tractors, or even farms. I grew up in the city. Milk and meat and corn all come from Safeway or Albertson’s, not Joe’s lower 40. But even with my limited farming experience, I can see the obvious.
The tractor was in the ditch. It was at an odd angle. It was running. But there was no mower deck and there were no left-over pieces of a farmer’s son.
And it sure as hell hadn’t been driving down the road. It had been there for a few hours at least, using the power drive on the back to run a pump that was pumping out flooded land.
Oh, yes, I had some choice words for our intrepid caller. See, frequently we have people sex up their calls to get us moving more quickly. Either she did that or she was a complete idiot with zero common sense.
Either way, I checked the area twice for dead or drunk people, found none, and went home.
The Second Time
Not my shift, but the same song, new verse.
The Third Time
Ditto.
The Fourth Time…Sixth Time
The Tenth Time…Twentieth Time…Four Hundred and Eighty Seventh Time
Ditto ditto ditto.
The Last Time
This time the call came through 911. It was sexed up again. Crashed and probably dead, with body parts probably everywhere and maybe drugs and probably even weapons of mass destruction!
My shift, but not my call.
Knowing what was what, because we’d done this 9,528 times, the responding deputy finished up something else first. The dispatcher, a part timer, got a little nervous and asked a couple times if he was going.
"Thirty miles to a call we’ve been on a hundred times?"
"But this is a different location."
True, but all the calls had been within a couple miles of each other.
After the deputy left, the dispatcher looked at me and said, "Well, if he is caught in the mower deck, we won’t need an ambulance by the time he gets there."
"We’ll need the coroner," I said.
"Hell, no, we’ll need a squeegy."
Hmmmm…that was much funnier in person than it is on the cyber page. Ah, well.
And just so you know, the guy wasn’t dead. In fact, there wasn’t even a guy. There was just a tractor…and a pump.
And an annoyed deputy.
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